The eXTra finGer

...''He was counting on his fingers.One two three four five six seven eight nine ten eleven.Eleven?Had he been born with an extra finger?''...

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Location: Italy

...& visit my web sites: Claudio Parentela's Official Site ''Claudio Parentela:Contemporary Art with a Freakish Taste!'' Lights&Shadows Disturbing Black Inks http://www.myspace.com/claudioparentela

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Tuesday, October 09, 2018

Sebastian Holzhuber

Sebastian Holzhuber


















Thursday, July 26, 2018

Fatemeh Baigmoradi

Fatemeh Baigmoradi

http://fatemehbaigmoradi.com/

https://www.instagram.com/fatemeh.baigmoradi/
















Friday, July 20, 2018

Samin Ahmadzadeh

Samin Ahmadzadeh

https://www.samin-ahmadzadeh.com/

https://www.instagram.com/samin_ahmadzadeh/

















Thursday, July 19, 2018

Werther Germondari

Werther Germondari

http://www.werthergermondari.com



OMOLOG’AZIONE, 2012, performance (project)



TEMPERATUS AER, 2005

(Awards: PREMIO CENTRO STORICO - Roma, Italy, 2005)


Werther Germondari, Panther Crash, 1994



CANNIBAL’S COMMERCIAL, 2005, video, 2’30”

with
WERTHER GERMONDARI
concept / image
WERTHER GERMONDARI
editing      
MARIA LAURA SPAGNOLI
production / direction:
WERTHER GERMONDARI
MARIA LAURA SPAGNOLI


NASISTA, L’altro/Io, group exhibition, Domus Sessoriana, Roma, Italy, 2007






IL BANDITO BANDITO DAL MONDO DEI BANDITI, performance, ac(Cenni) di (con)Temporaneo, group exhibition, ex-scuderie Castel di Piero, S.Michele in Teverina, Italy, 25/6/2010

curators: Massimo Lucarelli, Samuele Vesuvio & Associazione Fata Morgana

artists: Daniel Spoerri, Jérémie Crettol, Lemeh 42, Paul Wiedmer, Samuele Vesuvio, Hogre, Arman,
Werther Germondari, Massimo de Giovanni, Urs-P Twellmann Jakob Jenzer & Hugo Sigrist

documentation/pictures: Maria Laura Spagnoli


ALMENO TU, NELL'UNIVERSO, in Ambient Art Contest, group exhibition, Galleria Ucai, Brescia, Italy, 2011



DNArt Tubes / Genetic Interventions, bromographies in plexiglas tubes, 1991 - 1995

D.N.A.rt: fragments by unknowns: D.N.A.rt bromographies are drawn from images representing fragments of human D.N.A.(from the Institute of Biology “C.N.R.” in Rome. The images can be seen as real portraits, each one seen by means of a fragment of the genetic code. The intention is try to realize a portrait series to recall the “unknown portraits” of the italian Renaissance. In ‘D.N.A.rt: genetic interventions’ the intention is to create arbitrary coupling of people by the overlapping of different “fragments by unknowns”, recognizable by several colours of each one. (Werther Germondari, 1991)
Sviluppatasi inizialmente con i “ritratti di anonimi” (citazione dei rinascimentali ritratti di ignoti) visti attraverso frammenti del loro codice genetico (tratti da lastre del CNR), la ricerca è proseguita poi anche in forme di installazione e performance durante tutti gli anni novanta, fino a toccare il tema degli alimenti transgenici con il consueto approccio ironico, nel 2002 e nel 2010. (Werther Germondari)