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Location: Italy

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Thursday, March 29, 2007

Interview with Chiu Kwong Man

q)Tell me something about yourself….What’s your background…?

a)I was born in Hong Kong in 1966 to a French mother and Chinese Father. I was, however, almost immediately transported to North West London, where I grew up with the local mentality.

q)When growing what was the greatest force pushing you towards art?

a)I was very much into copying animals and cowboys, and other boy like subject matters (soldiers). In a recent talk I gave, and unlike many artists who say that they were gifted when young, I was not, and consider my youth as the empty head years.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)In the empty head years no, but in the last few years I am inspired by many different quirky individuals, more often than not, students at where I lecturer.

q)How would you describe your art to someone who could not see it?

a)Storytelling images which have been concocted together by a desire to express a personal and often political viewpoint – authorial illustration is a term that I sympathize with, along with narrative imagemaker.

q)Are there certain colours and shapes that you’re drawn to?

a)Muted colour palettes and irregular lines, however I am constantly battling against my tendency to formalize shapes.




q)What other talent would you like most to have?

a)I really want to get into mural painting, the stuff that blu creates is amazingly refreshing http://www.blublu.org/sito/walls/walls.htm

q)What’s your favourite mediums to work in/on?

a)At the moment coloured pencils, but I love charcoal – only with three young children it’s impossible to work with.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)David Shirgley’s animation:
http://www.shynola.com/movies/goodsong/goodsong_download.htm - for it’s sad reflection on modern love and relationships, or the lack of it
The animator phil mulloy:
http://www.philmulloy.com/ - for his political irony
Henrik drescher:
http://www.hdrescher.com/ - for his brazen re-use of sketches to form sumptously designed art books

q)What non-visual art interest you and does this have an impact on your art?

a)Children’s stories – the odd ones like
http://www.randomhouse.com/teachers/catalog/display.pperl?isbn=9780375801761
By Philip Pullman



q)What do you think about artists using the Internet as a forum for sharing their work?

a)In English they say “best thing since sliced bread”. It belongs to the masses and it is viewed by the masses – I hate hierarchies in art, and so the internet is by far my viewing media of choice

q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)I make my own toys now (some out of toilet rolls), but I must admit I did purchase a second hand action man with eagle eyes (the ones that move when you move a lever in the back of his neck). I also got a spiderman action figure because it had 36 points of articulation

q)Got any new projects planned?

a)Always have several on the go, many just burn out, only to be rekindled months or even years on



q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)Fight hard for what you want, but don’t sacrifice your ethics along the way. I’ve never worked commercially, because I hate the mindless consumer society we live in, but also I don’t think commerce would touch me with a barge pole.

q)Favourite books/authors?

a)Tadpole's Promise by Jeanne Willis Illustrated by Tony Ross
The Bunyip of Berkeley's Creek by Jenny Wagner
Mr McGee and the Biting Flea by Pamella Allen

q)Favourite music?

a)Everyday sounds



q)What do you fear most?

a)Eyecandy

q) Your contacts…

a) www.myeyeisonfire.net

info@myeyeisonfire.net
http://del.icio.us/chiuman

Tuesday, March 27, 2007

Interview with Raphael Leray(Yetzer Hara)

q)Tell me something about yourself….What’s your background…?

a)My real name is Raphael Leray and I'm born in 1984.
I live and work in Paris.
I started drawing, as autodidact, during the autumn 2005,
under the name of Yetzer Hara.

q)When growing what was the greatest force pushing you towards art?

a)Fear of falling into a weak nihilism.
So I had to decide to lead a project , but a project that didn't disguise an inner blank or lie.
And a piece of art , when it is done with a bit of sincerity and not merely with the ambition of a social achievement implying a scholar lining up on some new trends , had the quality of being enought arbitrary to don't lie even if the artist himself is a lier.It reveal something true about you and despite you! And that's what really pushed me to try, not to know myself but to leave something true about me.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)Ah.....It's a bit perverse, but in general what push me the most to work are peoples that look indifferent in front of what I do. I guess that if everybody were approving all the time my drawings , I'll just stop to do it. I have a deep aversion for any kind of consensuality. I need to have my dosage of paranoia and confrontation to get enought energy for working.
Of course the fact that a few peoples appreciate my work is absolutely vital for me , but it's not what push me at work however.





q)How would you describe your art to someone who could not see it?

a)I don't think I would like to describe graphicaly my work to someone , but maybe more what I 'm
trying to do. I think that I'm trying to realise , somehow, a « topography » of my feels as if they were independant organism and conctruction living and interacting in my body.
But I'm only interpreting my will saying this...
I guess that , most of the time , an artist is only able to see in his own work what his mental's equipment let him see, in consequence he could never see appear this latter while looking at his work , and this mental's equipement is precisely the essence of his work , therefore he could hardly explain the real speficity of his piece to someone, beside the material or conceptual side of it.


q)Are certains colours,shapes that you’re drawn to?

a)No , not really in fact...
When I'm feeling touched by the work of someone , I cannot explaining this feel to me simply by the presence of some forms and colors.
I haven't any particular interrest in the research of design etc...
When I'm drawing, the forms appear almost automaticaly, I don't predict them before putting the pen on the paper, forms cames up randomly.
Then I begin to be seduce by one or two and I start to look for composing them until I'm satisfied.Each time I made some new « forms » I reinject few of them in the next drawing . Somehow it's a « work in progress », but only from a purely graphical point of view.

q)What other talent would you like most to have?

a)I'm very attracted by writing. From the elaboration of a science-fiction story to a philosophical essay, it's the processus of writing itself that fascinate me. So if I would like to have an other talent it would be this one.

q)What’s your favourite mediums to work in/on?

a)Actually it's paper and pen of course ... But I think seriously about including some others medium such as photography and maybe somes short text in my work, I never considered drawing as my finality but more like the first step of a wider enterprise.
Furthermore in french the translation is « dessin » for drawing, this word had been derivated during the XVIII century from the word « dessein » wich was meanig both « project » and « drawing », and this old duality suit well with the impression I have working on my drawings.




q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)From a graphical point of view I don't have any truly conscious influence, but probabily some peoples could analyse and find a lot.
But if we talk about influence in a more spiritual way somes peoples like Eva Hesse , Francis Bacon , Kenneth Anger, Tarkowski, Arnold Shoenberg, Scriabine, (and the list should be much longer) had a powerfull inpact on the vision of art I have, I'm always obsessed to lurn a maximum about their lifes , their processus of creation , but most of all I'm focused about the moment when there is this swing in their carrier, this kind of awakening you know ?When slowly or suddenly they find themselves at the very limit of the common conditioning of their time.There is as much as factors as individuals : sickness, accident, rencontre, etc, and often a long and hard work...


q)What non-visual art interest you and does this have an impact on your art?

a)Music have undoublty a huge impact on me and therefore on my work , but I couldn't explain
really how . However with certain kind of atonal and concrete music there is , somehow , a sort of synesthesie that is operating more or less conscioulsy, as if the structure and the suggested materiality of the sounds used were influencing the composition in my drawings.


q)What do you think about artists using the Internet as a forum for sharing their work?

a)Internet have permit to a lot of peoples like me to don't pass necesserarily through the approbation and encouragement of the few littles networks of art communities where they live to start having a visibility, and this is a very positive point.
But personnaly I feel that this good side is accompanied of a less nice aspect wich is a strong tendancy for autarcy and a lake of critics.With online network like myspace or others, you get only « good » feedbacks about your work simply because peoples that maybe have some critics to give you just ignore you.That's a general problem with internet , peoples only come directly to what they already like, they just wan't to be reinforced in their tastes or opinions.And any real discovery mainly come from accident in a research.
This remark is maybe a bit too much affirmative, but I guess it's often the case.



q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)I'm still youth hey !!

q)Got any new projects planned?


a)Humm... I prefer to don't talk about that , I have beginning to be a bit superstitious for those kind of things.
But yes there is somes.

q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)I will tell them if I survive.

q)Favourite books/authors?

a)Without hesitation , one of my favorite author of all times is Friedich Nietzsche, I discover his philosophical's work when I was 14, and ofcourse first understood his books very superficialy, but he never left my life since that time.
Each time I re-open his books I discover and understand a torrent of things that didn't appeared to me before.
Also the reading of great authors like Georges Bataille and Michel Foucault give me an indispensable light to read Nietzche. I get very humble when reading the thoughts of such peoples, this is an activity that will undoubtedlty follow me until the end of my life.



q)Favourite music?

a)I'm essentialy listening bruitist/experimetal stuff , among others I really like peoples like Ikue Mori, Otomo Yoshihide, Oval, Pansonic, Nurse with wound, John Cage, Henri Pousseur, Laurie Spiegel. Sometimes I can also listen some old black metal stuff in the fields of Burzum , and even some Baroque music especially the Madrigals of Carlo Gesualdo.
Weird music had been one of my main preocupation, since the age of 17 I had been involved in a number of activity around the experimental music scene such as : gig's organisation , radio show, disc selling, that I progessively stop when I started to draw.But I'm still a hard supporter.


q)What do you fear most?

a)Death.


q) Your contacts…

a)
http://yetzer-hara.com
http://myspace.com/acediaa

Email :
raphael@yetzer-hara.com

And thank you......

Interview with Antony Crossfield

q) Introduce yourself first please?

a)Hi, I’m Antony.

q) Where do you live and work?

a)I am based in Brixton in London, a very vibrant, lively, stimulating and sometimes menacing part of the city.

q) How did you started? How have you realized you wanted to become an artist?

a)I have always made images ever since I was a little boy. It was inevitable that I would work in 2D imagery in one way or another. I was always very good at drawing and soon developed a passion for painting.

q) What materials do you use and why?

a)I try to use whatever materials are appropriate to the idea. These can vary between Paint, Pencil, Pen and Ink, photography, Computers and various software. I have always been very curious about explorring new mediums. This curiosity led me to learn more about computer generated imagery and digital technology and that then fed into my photography. Through digital technology I realised I could bring all my skills as a painter to photography and make photographs in a very painterly way. Photography as a medium inherently triggers certain conceptual ideas and assumptions. I’m interested in subverting and questioning these ideas – ideas such as photography being a an expression of truth for example. I’m lucky enough to be able to switch between various mediums without too much trouble and can therefore let the idea dictate the medium that is most suited to it.

q) Who is your biggest influence, both art and non-art related

a)Artists: Francis Bacon, Giacometti, Kiki Smith, Gerhard Richter, Lucian Freud, Rachel Whiteread, Van Eyck. Philosophy: Merleau-Ponty, Nietszche, Deleuze, Heidegger. Cinema: David Lynch, Hitchcock, Haneke, Godard. Authors: Kafka, Dostoevsky, J.G. Ballard.




q) How do you dream up with your wacky ideas? What is your creation process?

a)I think. I imagine. I think some more. I draw. Etc.

q) What haven’t you done yet that you definitely want to try someday?

a)I would love to have the opportunity to work in film and moving imagery.

q) Are there any contemporary artists that you love?

a)Rachel Whiteread. Lucian Freud. Jenny Saville. Christian Boltanski. John Currin. David Lynch. Gerhard Richter. The Chapman brothers.

q) How long does it take for you to finish a piece?

a)Usually quite a long time. My photography is often constructed from several photographs, sometimes shot at different times and the whole process is then worked on a computer to a significant degree. This can take several months. I work on the photographs in the way I work on a painting – sometimes completely reconstructed by hand via a computer.

q) What music, if any, do you like to have on while you're working?

a)All sorts. Right now I’m particuarly into Ligetti, Bach, Penderecki, Philip Glass, The Long Blondes, The National, The Howling Bells, Led Zeppelin and Nick Cave.

q) Do you do many art shows?

a)Not as many as I’d like. I’m working on getting more shows organised.



q) Tell us about a recent dream you had.

a)I dreamt I was in destroyed city. A city bombed to ruins. For some reason I was in hiding there. I was scrambling around the shelled houses, searching for shelter and hiding from someone. Then a tall blonde woman in a trouser suit, chased me and then tried to persuade me to go into a small room. For some reason I knew that it was not safe in the room and that she planned to lock me in the room forever after. I fought her off as she tried to lock me up whilst Serge Gainsborough sat and calmly watched whilst stroking a cat and smoking.

q) What are you doing when you are not creating?

a)Sleeping.

q) Do you get emotionally attached to your work and do you miss your work when it is sold?

a)Yes. There is a huge emotional investment in creating a work of art.

q)What new projects or exhibits are in your future?

a)I have a number of projects in development, all very exciting… keep checking my website for details!

q)What is your favourite art related web site?

a)The Audio and Video section of the Tate website has some great interviews with major artists. http://www.tate.org.uk/onlineevents/archive/



q) What is the strangest thing you have ever seen?

a)Mass hysteria. The reaction in the UK to the death of Princess Diana in 1997 was frightening to watch. Large numbers of the population were caught up in a completely manufactured and manipulated display of emotion. Everyone seemed to forget they were crying for a complete stranger whom most of them had never met. As Schiller said "Anyone taken as an individual is tolerably sensible and reasonable--as a member of a crowd, he at once becomes a blockhead."

q) What is the strangest thing you have ever done?

a)Nothing I do seems strange to me. It’s just everyone else who thinks I’m behaving oddly.

q) any advice you can pass onto aspiring artists/designers?

a)Work very hard. Read. Think. Question. Challenge convention. Change.



q)your contacts….e-mail…links

a)
http://www.antonycrossfield.com/

mail@antonycrossfield.com

+44 (0)7980 273 258

Monday, March 26, 2007

Interview with Kyle Field

q)Tell me something about yourself….What’s your background…?

a) I used to get up really early as a child and prided myself on being self sufficient.I would eat raisin bran and draw in the early hours (raisin bran is cereal) I can remember the first morning I forgot to put some sugar on my cereal and how sour the milk tasted in contrast.I would dress up in costumes constantly,making masks often from grocery sacks.

q)When growing what was the greatest force pushing you towards art?

a)The desire to constantly create and realize visions,the love of being totally alone.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)My parents were always totally encouraging,I think they were excited by what I was doing.And teachers and people throughout school,everyone was pretty supportive,so much so that I stopped trying to draw well when I was about 22 years old and started trying to draw poorly for about 8 to 10 years to avoid the spotlight of attention.

q)How would you describe your art to someone who could not see it?

a)I might say that it is a picture of what it would look like if invisible things and concrete things could become each other and be a new third thing,that is like liquid.Or that I draw weird cartoons,do they know what a cartoon is?These people?

q)Are certains colours,shapes that you’re drawn to?

a)Certainly,though maybe too many to mention,I like all types of different everything (music,food,etc.) so there is a rainbow out there that I look to.But to answer,I like oranges and blues together and always have and I like whatever shape I need to make to make the picture that I end up making.And the pictures are hopefully in constant evolution,so the answer can always grow too.




q)What other talent would you like most to have?

a)Probably fearlessness when it comes to heights soI could go rock climbing with no ropes and achieve incredible heights.

q)What’s your favourite mediums to work in/on?

a)Ink on paper is the most practical in so many ways that that should be my answer.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)Kids I grew up drawing with when I was young.This one kid in first grade that always drew much smaller than me probably has had the singls greatest impact on my work ever because he never accepted what I did as being good,and he was a superior artist to me.I would show him something and he would shrug his shoulders,like,"so?"And I can remember sort of crumbling then a bit (we were both drawing spaceships) and I said "mine are a little wide,right?"Getting so much praise and then rejection from the person whose art I most admired was like sharpening the knife all at once,and a very sharp knife was I rewarded with indeed!

q)What non-visual art interests you and does this have an impact on your art?

a)I would say that anything one enjoys has an impact on their life.As far as how that funnels down to the output of new art,I am no expert on how that transformation occurs,and the mystery of that chemistry is a gift that might make more room for furthering the imagination.The specifics or labeling of that relationship seems irrelevant to me,as long as there is still juice in there,I don't need to know what it is made of.



q)What do you think about artists using the Internet as a forum for sharing their work?

a)The more the merrier?

q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)One that I don't own anymore which american kids born in the seventies might remember is stretch Armstrong which was a syrup filled superhero made out of stretchy tough rubber.you could stretch him and it was almost healthy like excercise,the resitance of his arms and legs was akin to wiggling a loose tooth in your gum cavity.He was destroyed when the curiosity finally got the best of us and we had to stab him to find out what exactly was inside.He had some sort of unsweetened syrup that looked like sweetened syrup.

q)Got any new projects planned?

a)There are always new drawings emerging and in the works.I have been allowed to start an imprint of my own called RAD on the marriage records label out of Portland Oregon. From this label we will be putting out three albums this year by little wings,be gulls and Lee Baggett respectively.this label will also act as an outlet for the release of :skateboards,books of drawings,cds and records,teeshirts,and stickers. marriagerecs.com



q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)I guess that I feel like professional ambition becomes the most unattractive thing in my mind,and that those with too much of this head down a hideously colored road,but perhaps this is what they want.I try to cut as many corners as possible and to be as flaky as I can get away with,for I feel it feeds my independence and creativity and freedom.I want to be my own boss in so many ways,for if I am lorded over I shut down and cease to produce.So I take my time and put things off and am very very uneven in terms of my daily discipline towards art.It seems that my main goal in life is to spend as much time in the ocean as possible because that is what makes me feel the best in so many ways.So in my marriage to surfing,many things play second fiddle,including at times,art and music.I want to be physically healthy into my old age and die surfing perhaps.

q)Favourite books/authors?

a) S.E. Hinton(that was then this is now),William Golding(lord of the flies),Richard Brautigan,Raymond Carver,George Orwell,kerouac,Dan Lucas,Michael Field,Alan Watts (the book on the taboo against knowing who you are),Ram Dass is cool,the gospels,Iceberg Slim.

q)Favourite music?

a)Easy listening unless it is Iron Maiden or Jane's Addiction.or Tupac Shakur.also friend's bands but if I start making a list I am bound to leave somebody out.



q)What do you fear most?

a)Heights

q)Your contacts…

a)Light blue

http://www.kyledraws.com/

Friday, March 23, 2007

Interview with Erin Anfinson

q) Introduce yourself first please?

a)My name is Erin Anfinson.

q) Where do you live and work?

a)I live and work in Murfreesboro, Tennessee.

q) How did you started? How have you realized you wanted to become an artist?

a)I think I always really liked making art throughout my childhood. My grandmother painted a lot of landscapes when I was really young and seeing her work in her studio definitely had some early influence on my aspirations to become an artist.

q) What materials do you use and why?

a)I’ve used a variety of materials, but I primarily make my work in acrylic. I like to use acrylic for its fast drying time.

q) Who is your biggest influence, both art and non-art related

a)I don’t think I have one singular influence in terms of art. It definitely changes as my work evolves. Recently I’ve been looking at some landscape prints by Hiroshige. Non-art influences also vary quite a lot. There’s the usual movies, books, and images I find, but right now I’ve been most inspired by watching the landscape, birds and other creatures in my backyard.

q) How do you dream up with your wacky ideas? What is your creation process?

a)A lot of my work starts on the computer by digitally collaging the various visual elements of each painting until I get a composition that works together. When I find something that works, I transfer it to a larger painting.


q) What haven’t you done yet that you definitely want to try someday?

a)Definitely travel some more.

q) Are there any contemporary artists that you love?

a)At the moment, Tom Friedman, Kara Walker, Shazia Sikander…just a few.

q) How long does it take for you to finish a piece?

a)A couple of weeks if I get some good studio time in.

q) What music, if any, do you like to have on while you're working?

a)I’ve been listening to a lot of NPR radio shows while I work on the weekend days. There’s a few I really enjoy.

q) Do you do many art shows?

a)It varies from year to year, but I try to keep busy and have several booked throughout the year.



q) Tell us about a recent dream you had.

a)I’ve been having really vivid dreams lately. One of the more memorable is having a conversation with an old college friend on the phone and then having him magically transport through the phone line and tumble out of the receiver into my kitchen. That was odd…

q) What are you doing when you are not creating?

a)Right now I stay extremely busy with my teaching job, but I like to read, cook and hang out with my husband.

q) Do you get emotionally attached to your work and do you miss your work when it is sold?

a)I guess there’s a few pieces I think about once in awhile, but that strong attachment usually fades after a work is finished. I’m always anxious to move on to the next thing!



q) What new projects or exhibits are in your future?

a)I’m about to send work to a 3-person show at Ruby Green Contemporary Art Center in Nashville (http://www.rubygreen.org) and I will be in another exhibition this summer at TAG Art Gallery, also in Nashville, TN.

q) What is your favourite art related web site?

a)It seems like lately I’ve just been seeing some of what’s been happening in the art world at the NY Times website
http://www.nytimes.com/pages/arts/design/index.html

q) What is the strangest thing you have ever seen?

a)I saw a dog not only ride the train in Athens Greece, but also meet another dog at station. When the train door opened, the dog on the train walked out, met the dog on the platform and then they trotted away together.

q) What is the strangest thing you have ever done?

a)I just played my friend’s new Nintendo Wii the other day and virtually boxed someone—It was really strange and fun, but my arms are still sore.



q) any advice you can pass onto aspiring artists/designers?

a)Try to get in your studio as often as you can and get to know the art community where you live.

q)your contacts….e-mail…links

a)website: http://www.erinanfinson.com

Monday, March 19, 2007

Interview with Tetsunori Tawaraya

q)Something about you...what you want...

a)40000 hours a day.

q) What are your main goals when you create?

a)I want make somebody cry when they stands in the front of my piece.

q) Do you rule by any tendency in your creative work, or you only follow what comes in your mind?

a)Style is living one. you can't rule it.I know how to feed them in the morning.

q)How has the internet and your website helped you spread your artwork to a wider audience?

a)Good to spread your character to lots of people.I hope people don't get satisfied when they sees art on screen.I believe art has a power to make people emotional.It happens when you find something in person, not on the screen.

q)How do you define your style and how would you describe your art to someone who could not see it?

a)Jagged enough.

q)What materials do you use to realize your creations?materials?

a)There is many pink fake far in my house now.I stuff the munder pink see-through skin of doll.

q) What is your favorite a) taste b) sound c) sight d) scent e) tactilesensation?

a)When I am in the darkroom, great idea comes out from my mouth.It takes half'n hour then I jump out from there, keep saying this great word.Suddenly it turns out bad in real life.I guess I need to make piecein dark gallery, make audience to use rocket fireworks as a flashlightto see my art. then I can scream this great word through the roudestspeaker in the world.

q) What are you doing now...your current projects...

a)I am making doll with TOMOKO KOKUBO. She is great doll creator.We just finished HUGE doll called ASSMAN, who is one of my comic character.It's showing at STAIRWELL in providence RI now.Pretty stoked with it.
q) Do you listen to music while you're painting and what do you listen andwhat do you like to listen?
a)I usually don't listen to anything when I start out.

q) Do you draw influences from a wide range of artists, musicians, books...?

a)These days, I am into making pure imagination.On the process to start out new comic.You touch the remote looks like oyster, TV explosion, waving scarf in the sky.Oh man, I can't wait to finish it.

q)Name 3 things you couldn't create without?

a)Headache, stolen pen.

q) Where have you show your art...?

a)LA, SANDIEGO, TOKYO, SANTA ANA,, many places in CA.

q) What haven't you done yet that you definitely want to try someday?

a)Movie.

q) How important is self-promotion for an artist nowadays?

a)They don't have to think about it.They think too much.Move your ass rollin'.

q) Would you say that your work consciously reflects characters and situations found within your daily life?

a)Maybe, I don't know.They totally say dirty word though.There is a used book store called BLUE STOCKING in San Diego.The owner CHRIS loves dirty word on the comic book, first time when I show my stuff to her, she asked me "do you use f-word here?"I am like, oh shit she might not sell them at this book store, because tons of family, kids come, you know? I said "yeah, this character called FUCKING BUILDING, I guess there are tons of them."She said"that's great!" then she bought 5 copies from me.She is great.She keeps asking me about WHY SAMURAI HAS SHAVED HEAD.Hey dude, I don't know!!

q) Favourite book?

a)J.D. SALINGER

q) Designers/Artists you admire?

a)My friend YUME YAJIMA.She just made greatest flyer ever.I need to ask her to give it to me. It has letters, maybe pencil she used.I don't think she is ever made flyer.A lot of people don't realize they have greatest talent.One day, somebody needs to invent "sub-conscious rader" so I can ask many talented strangers to make a map and collage them in a piece.

q) Your contacts....e-mail...links...

Sunday, March 18, 2007

Interview with Geoff Farnsworth


q)Tell me something about yourself..What's your background...?

a)After highschool I went and got a business degree but then had an early midlife crisis and heartbreak and went to art school. Started off in Vancouver and then moved to NYC for 5 years... Then to Toronto, and now living and painting in small place up north.

q)When growing what was the greatest force pushing you towards art?

a)My mum and my sister. Mum always pushed me in this direction and my sister's example with her wonderful artwork.

q)How would you describe your art to someone who could not see it?

a)An art critic recently described my work as bright pop-coloured mystical portraits.That explains some of it pretty well I think.

q)What other talent would you like most to have?

a)I'd like to be able to fly and become invisible at will!


q)What's your favourite mediums to work in/on?

a)Oil paint, and when I draw I really like using regular everyday stationary pens in blue, black and red.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)Painters: Vermeer, Bacon, Klimt, Sargent, Vuillard, Degas, Odd Nerdrum, Ingres, Daniel Richter, Neo Rauch, Picasso, Bill Scharf...

q)What non-visual art interest you and does this have an impact on your art?
a)Films of all sorts and music, especially my friends' musical performances in Toronto like Delta Marsh, Sadoceanspacebear, Ivy Pallas, Mosquito Buzz Quartet.Personalities and energy of my sis and filmmaker Dave Ray...


q)What do you think about artists using the Internet as a forum for sharing their work?

a)I think the internet is a great way to see a lot of good work.But so much junk has to be filtered through to see it and there's a certain blackhole energy in being on the computer that can combat absorbing inspiration.I am trying to be on the computer less and to get in nature more.I think this is a better way to find healthy vibes most of the time.


q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)I still have my fist stuffed bear and baby blanket which I am going to give to our new baby on the way. :)

q)What advice can you give to other artists to help them improve

a)Their chances of survival in this global village we call our home?I'm still figuring this one out myself.But persistence and honesty go a long way, I believe.


q)…Your contacts…

a)
www.gfarnsworth.net/

Tuesday, March 13, 2007

Interview with Jeff Schaller


q) Introduce yourself first please?

a) Hello I’m Jeff Schaller self proclaimed creative guru. Born in Ellington Connecticut. If you have heard of it you were lost on your way to Massachusetts.

q) Where do you live and work?

a) I currently live in Downingtown, PA. I have a 50 yard commute to work. YES! I built a studio on our property.

q) How did you get started in art? When did you realize you wanted to become an artist?

a) Every since I was a kid I knew I wanted to be an artist. Thankfully, I don’t think I could do anything else. It helped me from getting my ass kicked in high school, I would paint the back of jean jackets for the druggies and make posters for the popular kids running for student council. It was a way for me to fit in.

q) What materials do you use and why?

a) I paint in encaustic, a bees wax based paint with pigment. I also incorporate silk screening with my work. I chose encaustics because it dies so quickly it forces you to work quickly. Because it dries so quickly it captures each brush stroke as it is applied to the board.

q) Who is your biggest influence, both art and non-art related

a)That is such a hard question because everything influences me. Just walking down the street, looking around, television, anything visual makes an imprint. One of the biggest influences that I listen to is my wife.


q) How do you dream up with your wacky ideas? What is your creation process?

a)I wish I dreamed up these ideas. Then every morning I would wake up and have something to paint. But it doesn’t quite work like that. It usually starts out by me finding an image or seeing something that strikes my interest. I work in series so it is different images at different times. Once I find an image I crop it down to fit on a square board. I immerse myself in the painting process. Then I stop and I wait. I look at the piece for awhile which could take an hour or up to a month just trying to figure out what to add. This is the part that I love. You have to think of color, composition and making that little “AHA” statement. It is usually a text element, word or logo. Then I sign it.

q) What haven’t you done yet that you definitely want to try someday?

a)Sky diving. I want to jump out of a perfectly good airplane. Plus I would like to learn how to fly a plane and fencing. I just think fencing is cool. I don’t know if I’d ever use it.

q) Are there any contemporary artists that you love?

a)I love Jasper Johns. If you are reading this Mr. Johns, call me we’ll do lunch.

q) How long does it take for you to finish a piece?
a) It’s hard to say because I work on multiple paintings at a time. Sometimes I can get the majority of the work done in a day. I think these are the freshest paintings. Then I let it sit and see what I should add. I don’t want to sound to whacky but I wait for the painting to “speak to me.”

q) What music, if any, do you like to have on while you're working?

a)I am all over the board with music. In the morning I’ll start out with classical or jazz, sometimes from my itunes or internet radio. By the end of the day it picks up to alternative .music to the Ramones or Hank Williams Jr III.



q) Do you do many art shows?

a)I try to do as many art shows as possible. I love the pressure of a deadline. Nothing like a deadline to make you feel alive, creative and confident.

q) Tell us about a recent dream you had.

a) Actually I just had a dream where I had to get a real job. I was sucked back into corporate America. I think it might have been a nightmare.

q) What are you doing when you are not creating?

a) Hanging out with my family and drinking wine with my wife.

q) Do you get emotionally attached to your work and do you miss your work when it is sold?

a)I get attached to every piece I make. You have to or it wouldn’t be finished. I have to love or like each piece at that moment to sign it and say it is done. There have only been a few pieces that I wish I had kept but I know where they are and the people that bought them. I couldn’t be happier about that. I know I’ll always make something else that I love.

q) What new projects or exhibits are in your future?

a) I have a show in Switzerland that I’m totally looking forward to.



q) What is your favourite art related web site?

a)I’m to busy watching
You Tube videos. I forget there were other things out there.

q) What is the strangest thing you have ever seen?

a)Have you been on the web? Nothing is really surprising anymore.

q) What is the strangest thing you have ever done?

a)I can’t say, the statute of limitations hasn’t expired yet.



q) Any advice you can pass onto aspiring artists/designers?

a)Do what you love then you will never have to work a day in your life.

q)your contacts….e-mail…links

a)Jeff Schaller
jeff@pinkcowstudio.com
http://www.pinkcowstudio.com
http://www.myspace.com/jeffschaller

Monday, March 12, 2007

Interview with Jo Owens Murray

q)Introduce yourself first please?

a)Jo Owens Murray, a surrealist sculpture artist.

q)Where do you live and work?

a)I live in Skippack, Pennsylvania, a small town about 30 miles from Philadelphia. My studio is located in my home.

q)How did you started? How have you realized you wanted to become an artist?

a)I started doing photography in my teens and actually worked as a freelance photographer but also did abstract photography. After having studied art history in college, I began to work in assemblage sculpture. I am actually a self-taught artist since I have never taken studio art courses. My sculpture is entirely self-created.

q)What materials do you use and why?

a)Most of my sculptures are live-size women created by the use of jewelry and other found objects. I see that jewelry provides a commentary on the history of women since it has been used for centuries to enhance their appearance. In my view, my sculptures are like mosaics with individual beads like mosaic tiles all working together to create the larger image.

q)Who is your biggest influence, both art and non-art related?

a)I derive inspiration from a range of historical art including mosaics and religious art from the middle ages. I also believe that I am influenced by surrealist masters like Salvator Dali and Rene Magritte.
My non-art influences include reading the theories of Freud and Jung on dreams as well as the role of women in modern society.

q)How do you dream up with your wacky ideas? What is your creation process?

a)My work often starts with a single small object (a feather, a piece of jewelry) and the work evolves around it. In some ways, it is as though that single object is trying to tell me how it fits in a larger piece.

q)What haven’t you done yet that you definitely want to try someday?

a)I want to travel to more places and see the work of other artists (including some of the great museums of the world).

q)Are there any contemporary artists that you love?

a)Some of my favourite artists include Leo Weisz ( a 96-year old landscape and portrait artist), Karen Kappe Nugent (still lifes when she has time with her three young children), and Judith Schaechter (stained glass).

q)How long does it take for you to finish a piece?

a)This varies quite a bit depending on size and materials. Typically, a piece takes two to three months to finish.

q)What music, if any, do you like to have on while you're working?

a)Contemporary music.

q)Do you do many art shows?

a)I show regularly in galleries in New York. My next show is in April 2007 in Pleiades Gallery in Chelsea (a neighborhood of Manhattan). I also have work on exhibit in Ward-Nasse Gallery in Soho. Over the last few years, I have shown my work in a number of juried shows, galleries, and museum shows. My work is currently in the permanent collections of four museums including the National Museum of Women in the Arts in Washington, DC.

q)Tell us about a recent dream you had.

a)I was riding on the roof of a car. I felt very free but I was concerned because I had no seatbelt. One of my sisters was driving and she told me not to worry since she was only going 60 miles per hour.

q)What are you doing when you are not creating?

a)Gardening, cooking.

q)Do you get emotionally attached to your work and do you miss your work when it is sold?

a)Yes, very much. The first piece I sold, I took about 70 photos before she left.




q)What new projects or exhibits are in your future?

a)I am currently preparing for my show in New York (April 3 to 21, 2007). This show will have about 30 of my sculptures in it so it is a major effort to prepare.


q)What is your favourite art related web site?

a)I am constantly looking for interesting things on the web and my tastes change frequently. One of my current favorites is Society for Art of Imagination (

www.artofimagination.org). Another one is Surrealism in the 21st Century (www.surrealismnow.com).

q)What is the strangest thing you have ever seen?

a)Haven’t seen it yet. Although some contemporary art comes close.

q)What is the strangest thing you have ever done?

a)Spent a summer travelling with a carnival.

q)Any advice you can pass onto aspiring artists/designers?

a)Always start at the top – there are plenty of people already at the bottom.

My husband gave me some advice early in my career – he said, “stop trying to make art that you think will sell and just create what you feel.”



q)your contacts….e-mail…links

a)

www.artbyjo.com
artbyjo@verizon.net
other links -
Ward-Nasse Gallery , New York, NY
www.wardnasse.org
Pleiades Gallery, New York, NY www.pleiadesgallery.com
Chelsea Art Galleries, New York, NY http://chelseaartgalleries.com
Surrealism Now http://www.surrealismnow.com
World Wide Arts Resources http://wwar.com
Women Artist Archive libweb.sonoma.edu/special.html

The National Museum of Women in the Arts, Washington, USA www.nmwa.org

International Sculpture Center www.sculpture.org

Fleisher Art Memorial, Phila USA www.fleisher.org

Da Vinci Art Alliance, Phila USA www.davinciartalliance.org
Moore College of Art and Design, Phila USA thegalleriesatmoore.org/gmslide

WomanMade Gallery, Chicago, Il www.womanmade.org
Society for Art of Imagination, London England www.artofimagination.org/Pages/OwensMurray.html

Sunday, March 11, 2007

''L'ERETICO COWBOY''


...Finally for&always for Underground-Press(http://www.underground-press.net/ 36 pg. – 21x15 – b/w - 4,00 €) ...&yes...&finally&...&just now is on the true paper...& it's out ...&in this world my new ''comic''(...?...!) book...:''L'ERETICO COWBOY''...

...Yes naturally I could tell you something on the story...but I don't now if I want to tell something becouse I don't know if today I'm so good to tell you something...

...Well..it's a strange story really,but believe me it's a true story...how much love...how much pain...how much of all in this story...but if I've to be sincere just now I don't remember well what I've drawn and written in ''L'ERETICO COWBOY''....but also and just now I think it's not so important tell something on ''L'ERETICO COWBOY...so go to Underground-Press(http://www.underground-press.net/) and buy it...soon....now!!!!!
Love&Death

Saturday, March 10, 2007

Interview with Chris Scarborough

q) Introduce yourself first please?

a)My name is Chris Scarborough

q) Where do you live and work?

a)I live in Nashville, Tennessee

q) How did you started? How have you realized you wanted to become an artist?

a)Making art is something I've always done. I started painting and doodling when I was about 3 I think, and so it's just something I've grown up doing. I'm not sure when exactly I thought I wanted to be an "artist" in the professional sense. I fell into after other things didn't work out.

q) What materials do you use and why?

a)The work I've done mostly in last few years has been photography and drawing, and before that painting. I try and use the medium that best expresses the concept I'm trying to relate.

q) Who is your biggest influence, both art and non-art related

a)I've really been attracted to the gamut of Asian art history lately, and posters and paintings from the communist revolution in China. I also look at a lot of Television and movies, I'm really interested in how we digest these mediums. And Taxidermy, I really like looking at taxidermy.

q) How do you dream up with your wacky ideas? What is your creation process?

a)A lot of what I like to do is play with the context of images. How we look at images and interpret them based on our experiences, and how those meanings can change based on.

q) What haven't you done yet that you definitely want to try someday?

a)Hmm, lots of international travel probably.

q) Are there any contemporary artists that you love?

a)Sure. Neo Rauch, Tom Friedman, Vik Muniz, Paulo Ventura, Uta Barth, Ed Ruscha are some of my favorites at the moment.

q) How long does it take for you to finish a piece?

a)l usually take about 1 month up to 2 months to finish a piece, depending on what it is.


q) What music, if any, do you like to have on while you're working?

a)I've been listening the the I-tunes radio station "Secret Agent" a lot lately, it plays alot of eclectic mixex of electronica, big big band, and mixes in this spy movie flavor.

q) Do you do many art shows?

a)Yes, I try to keep busy and have things on my plate.

q) Tell us about a recent dream you had.

a)This may sound strange, but I rarely if ever remember my dreams, maybe I'm a REALLY heavy sleeper.

q) What are you doing when you are not creating?

a)I read, play video games, watch movies, think about what I'm going to make next.

q) Do you get emotionally attached to your work and do you miss your work when it is sold?

a)No, I don't think I'm very emotionally attached to my work, at least after it's finished. I'm usually off to the next idea, and that has me more excited than what I just finished.

q) What new projects or exhibits are in your future?

a)I've got a solo show right now at Rhodes College in Memphis, TN. Later this summer I'll have a solo show at ArtSpace in Raliegh, NC, and I'm doing a two person show at TAG Gallery (
www.tagartgallery.com) in Nashville this fall.

q) What is your favourite art related web site?

a)I just found a photographer I like, Brian Ulrich, has a blog that find very interesting at the moment:
http://www.notifbutwhen.com


q) What is the strangest thing you have ever seen?

a)Someone I know getting hit in the head with a firework on the fourth of July.

q) What is the strangest thing you have ever done?

a)I didn't do this, but it happened to me. Someone I didn't know came up and tipped at my own art opening once.

q) Any advice you can pass onto aspiring artists/designers?

a)Having time to make work is a big thing for me, I think it helps you to slow down a little, think and consider what you are trying to do better.


q)your contacts..e-mail.links

a)email:
atomicbutter@scarboy.net
website: www.scarboy.net